Telling Your Story

Community Rewilding Guide
This page is part of the Community Rewilding Guide, a resource for local groups working to restore nature. Back to guide contents page.

Good communication

Communication is an important part of any community or collaborative activity. Community rewilders emphasise three things in particular: 

  1. Give particular attention to your core messages. What are you wanting people to know, and what are you wanting them to tell you, or to join in with, or to help make a decision about? The case study ‘Learning from experience’ illustrates some challenges that arise when a vacuum arises for rumours to get out of control.
  2. Manage expectations. Community owners may want change to happen quickly. The wider community may be disappointed when change takes a bit longer, or when it’s not clear what changes are happening (as can happen when there’s a need to take time to get to know the site).  
  3. Think about how accessible people will find your communication. Is it too text-heavy for visual people? Does the colour coding work for neurodiverse audiences? Can different versions be produced – perhaps a detailed report, plus a short illustrated poster? 

Accessible communication

According to an article on CharityComms, the membership organisation for charity communications professionals, one in 10 people in the world have dyslexia, one in 12 men are affected by colour blindness, the average reading age in the UK is nine years old, and more than 460 million people have some form of hearing loss. All this means that your communications may not be received and digested in the way you expect.

Grounding in stories

Storytelling helps people feel connected to nature and understand how rewilding works. Sharing stories about local wildlife, habitats and projects brings people together. It inspires them to get involved and shows the positive impact rewilding can have on both people and the environment.

Bioregioning Tayside explained the importance of including cultural as well as scientific activities and responses in nature restoration projects. 

“Our focus on resolving the climate and biodiversity crises has tended to be very sciency, it has all been about ecological restoration. There has not been enough recognition or celebration of how our landscapes are part of our culture through for example, stories, songs or place names. From a bioregioning perspective, we’d encourage people to re-connect to this cultural heritage and do their history, to learn how humans have impacted on their landscapes over millennia. 

Taking the time to do this research, to understand, for example, how watercourses have been changed to enable more land for farming or to drive the mills for the textile industry, which areas used to be common land, which estates were bought and built through slavery money, the ecological impact the hydro dams have had. 

Unless you know that, you cannot learn from the past or have the power to say, ‘It doesn’t have to be like this’.

 

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Top tips from community groups

  • Celebrate the wins – this massively empowers the community. You don’t see many examples of the obvious wins – a small win leads to bigger projects.
  • We are constantly going out and asking for help for funds, or expertise. It is critical to ask for help.
  • You can build collaborations and partnerships that enable your message to be amplified, to such an extent that funding sources can’t say no. Have to have the courage to do that!
  • I do walks once a month in the local area, and it’s all very informal. We have a WhatsApp group, … a lot of people who come along are just dog walkers, or go out at weekends. But they are very interested. People are more aware of places since lockdown.
  • It is very hard to do conservation work in the middle of winter. People don’t want to come out. You need to buy them a hot drink, provide access to a toilet.
  • Make it fun – make sure all your volunteers are enjoying themselves, staff are enjoying themselves – have social nights, coffee and cake!
  • ‘Revealing the hidden’ night walks with scouts, bioluminescence, creatures in trees. That really engages people in the mysterious. 

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